I like Neal Stephen­son a lot. His Snow­crash and Dia­mond Age were my intro­duc­tion to Cyber­punk, and the fol­low up to these books — Crypto­nom­i­con turned out to be a best­seller and pos­si­bly his best book to date. I loved the numer­ous digres­sions , the insider geek-jokes, and the irrev­er­ent tone of the book. Whole pages (and some­times chap­ters) were ded­i­cated to things had at best a tan­gen­tial rela­tion­ship to the plot. Like a whole chap­ter filled with a bad short story writ­ten by one of the char­ac­ters. Or (really) Perl source code for a cryp­to­graphic algo­rithm he describes in the book.

And so I looked for­ward to the Baroque Cycle, a 3000-page tril­ogy about the Baroque Age. Quick­sil­ver, Con­fu­sion and The Sys­tem of the World — one book every six months, start­ing Octo­ber 2003. Stephenson’s fic­tional cre­ations cohab­it­ing the book with Hooke, Wilkins, New­ton and Leib­nitz. This was going to be so good.

Not really. The Baroque cycle is a bit of a letdown.

Sure, there were some good seg­ments. Jack Shaftoe was cool. So was Eliza. The board game that Eliza orga­nizes for French noble­men to explain finan­cial con­cepts was hilar­i­ous. The Royal Soci­ety sounded like a fun place to work in: Hooke seemed like a cool dude, and New­ton a grumpy old bas­tard. A big chunk of the sec­ond book was devoted to India, and there were some inter­st­ing nuggets that I didn’t know. I’m not sure if this is true, but appar­ently, the women of Mal­abar (Ker­ala today) were so sex­u­ally promis­cu­ous that most of the time kids didn’t know who their dads were. And thus started the tra­di­tion of chil­dren tak­ing the mother’s last name. But I digress: In between the good parts, there was so much point­less fluff that any half-decent edi­tor would have got­ten rid off. And try as hard as I did, I couldn’t find a plot. Some­times the book felt like I was read­ing a smart schoolboy’s scrap­book filled with news­pa­per clip­pings from the 17th cen­tury. The whole is so much less than the sum of its parts.

Note to Neal: Digres­sions are cool and all that, but digres­sions don’t make a book. Not a 3000-page book. And you for­got the plot!

  One Response to “Books : Laboring through the Baroque Cycle”

  1. […] ite and author of Snow Crash, Dia­mond Age, Crypto­nom­i­con, and the (slightly dis­ap­point­ing) Baroque Cycle tril­ogy that was set in the nine­teenth cen­tury talks about tech­nol­ogy, geeks and pol­i­tics in this […]

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