Plywood and Chips

    Life  Comments Off
Feb 282005
 

It was a gloomy, driz­zly morn­ing. We woke up tired, our col­lec­tive efforts at putting out the rem­nants of last years hor­rid hur­ri­cane sea­son from our back­yard hav­ing been only half suc­cess­ful. We started early, and by about 1, we were: Done. Grumpy and Hun­gry. The bulk pickup truck arrived, and the dri­ver brushed away my offer to help, looked at me piti­fully and non­cha­lantly loaded every­thing up by him­self. Increase in level of guilt — why did I get dad to help?

We drove to India South, stuck behind the old cou­ple in a white pickup truck, their grand­son sand­wiched between them, sip­ping coke — crew cut head vis­i­ble through the back door of their cab. The old man talk­ing on his cell­phone, grandma’s feet up on the dash­board, truck crawl­ing on a one lane road. Not a speck of dust on the truck, some ply­wood on the truck bed. Did he load it up himself?

The four of us get seated on a table prob­a­bly designed for two, the four large par­ti­tioned stain­less steel plates cov­er­ing up the entire table, water cups bal­anced pre­car­i­ously at the edges. We eat, Lavanya elbow­ing me, me elbow­ing the faux wood fin­ish on the walls.

As we eat, we also lis­ten. Four engi­neers, talk­ing loudly enough for the entire restau­rant to hear. One of them invit­ing the other three to his house,

“Come over man, we can do something.”

“Really? Like what?”

“Maybe we can play poker. I have poker chips at home.”

“I have chips too. Potato chips.”

Then the killer. The other three actu­ally laugh.

At which point, Lavanya turns to me and says, “I’m glad I mar­ried you.” And we both drank a lot of water to that thought.

 

Some dude called Jumbo claims that Nagma, for­mer hearthrob, has under­world links, and even hid heavy machin­ery in her not incon­sid­er­able belly and helped smug­gle it into Karachi to set up a gutka plant. So any­ways, an angry Nagma denies the accu­sa­tion and claims that she was framed, and adds for effect that the girl with under­world links was not her, but a TV actress that shares her name.

Turns out that equally fat (and equally ex) heart­throb Mum­taz used to be called Nagma before T. Rajen­dar (another fat ex-movie maker, music direc­tor, cam­era­man, and yes actor too) rechris­tened her for the screen. Was it her, then?

No, she says. In fact, dur­ing the time period in ques­tion, she was in her third grade. What the heck? I am expe­ri­enc­ing a com­bi­na­tion of shock, sur­prise and speech­less­ness. Mum­taz passed her sec­ond grade?

 

The Times of India and other news­pa­pers sell­ing edi­to­r­ial space. Brazenly and unabashedly. Link through India Uncut.

Yay!

   Movies  Comments Off
Feb 132005
 

I am done watch­ing Eter­nal Sun­shine of the Spot­less Mind. I am not going to add to the count­less other reviews out there, but I have to say that this is a clas­sic. The hype made me a lit­tle leery about watch­ing it, (Lost in Trans­la­tion, remem­ber?), but any fears I had were blown away in the first few min­utes. For the record, I would like to state that I would have liked it even if it didn’t have Kirsten Dunst in it.

 

 I lis­tened to Uravu­gal Tho­dark­athai again today. Who could have known? That a mere song could move you, hard-nosed and all that, so much. Every chord emo­tional, every riff tug­ging at heart strings. That mal­leable music existed, music that could blend in with what­ever you were feel­ing. A fren­zied friend by your side, drag­ging your mind through an emo­tional kaleidoscope.

Strangely, all that remains at the end is con­tent­ment; joy. And the urge to rewind, replay. A lit­tle over­whelmed: At this rate, I am never going to go through the hun­dred other songs that do sim­i­lar things to my brain. And as always, shock: That one man could com­pose all of this in one lifetime.

Now, this attempt at ren­der­ing the Thiru­vasakam - an epic Saivite poem — as “Thiru­vasakam in sym­phony”. Sixty year old man, at the twi­light of his career, reduced to des­per­ately seek­ing recog­ni­tion that he so richly deserves. I just wish I could go up to him and tell him that after one Uravu­gal Tho­dark­athai, the rest is all fluff.

PS : Real­me­dia ver­sion of the song thanks to dhool.com. Also check out http://thiruvasakaminsymphony.com.

 

Poor Kumu­dam. They pay peo­ple actual money to go gather news. Like this inter­view with A.R. Rah­man — a scoop by all stan­dards, because Rah­man can be hard to get hold of. They pub­lish the inter­view, and what happens?

The smart guys at Cine­south turn around and pub­lish the inter­view on their web­site. Attri­bu­tions? Bwa­ha­haha. You must be jok­ing. Since Kumu­dam takes a while to update their online page, it actu­ally appears like Cine­south did it first. Clever, na?

 

Boy, what a let­down. Aish, sport­ing an atro­cious out­fit and an even atro­ciouser accent. Croak­ing out the last word of each sen­tence with a funny sound­ing drawl… Indi­aaa and Bom­bayyy. And then, there was this.: At ran­dom instants, with­out per­ceiv­able exter­nal stim­u­lus , she would start off this rou­tine that con­sisted of rolling her eyes at Let­ter­man, fol­lowed by rolling her eyes at the audi­ence, then capped off with some laughter.

A com­pletely per­plexed Let­ter­man did man­age to get a cou­ple of ques­tions across. And got a cou­ple of fero­cious sound­ing replies in return. Inno­cent sound­ing soft­balls (“Were you a young girl when you started mod­el­ing?”) that got hurled right back at him, with an eye rolling thrown in for good mea­sure. There was a clip from Bride and Prej­u­dice with a wooden Aish­warya in the swim­ming pool — I heard some­thing about some dude want­ing to see India with­out see­ing the Indi­ans, and there was a whole lot of con­fu­sion over his nation­al­ity … I was too busy wish­ing for the cam­era to pan down­wards to hear prop­erly. And no, it didn’t.

Man­ish over at Sepi­a­mutiny seems to think Aish was off color because she took her­self too seri­ously, but methinks she was just being her true self: a bimbo.

Update : This review on Time tells it like it is.

In the lead role, Bol­ly­wood god­dess Aish­warya Rai is pretty as a picture–a still pic­ture. She appears always to be fluff­ing her hair for the next fash­ion shoot. She’s got moves on the dance floor; and in the sump­tu­ous and catchy score by Añu Malik and Craig Pruess, she smartly sells a few num­bers that try to update the Austen ethos (“I just wanna man who gives some back/ Who talks to me and not my rack”). What she can’t yet do is sug­gest a com­plex spirit behind the lovely façade.

Evolution (this time linguistic)

 Uncategorized  Comments Off
Feb 072005
 

Sujatha writes (link requires reg­is­tra­tion) about how some com­monly used Eng­lish words have been trans­mo­gri­fied into Tamil, with bizarre consequences.

An “assault” job, is a job done effort­lessly, non­cha­lantly. You can do such things only if you are unper­turbed by the “tilers” — unim­por­tant pretenders.

When you have a “feel­ing” for some­one you are actu­ally upset.And then the old clas­sic — repair some­thing and it is bro­ken — you prob­a­bly need a “drinks” or two to drown your feel­ings.

Another rea­son to let the lan­guage grow. A few cen­turies from now a Tamil dic­tio­nary will list these as Tamil words (with an quick lit­tle ety­mo­log­i­cal bow to English…)

A few minutes of bliss

 Uncategorized  Comments Off
Feb 072005
 

There is mere music, and then there is this. From the Mas­ter himself.

The music ren­der­ing col­ors for a blind girl …

When a gen­tle breeze caresses; col­ors swirl around in your mind
Thoughts come and go; each a dif­fer­ent hue.”

My stranded on an island song.

PS: Low qual­ity real audio file for sam­pling. Go get the CD if you can.

Evolution

 Etc.  Comments Off
Feb 062005
 

Newsweek has this arti­cle on evo­lu­tion and “Intel­li­gent Design — a cri­tique of evo­lu­tion couched in the lan­guage of science.”

I am not sure why evo­lu­tion made it pos­si­ble to be an intel­lec­tu­ally ful­filled athe­ist — the for­ma­tion of life might have been a chem­i­cal reac­tion, but it was a chem­i­cal reac­tion that required a num­ber of para­me­ters to be just per­fect before it could begin.

Sci­ence will prob­a­bly be never be able to con­vinc­ingly explain how this set of cir­cum­stances came about — it requires a lit­tle bit of faith. Lit­eral inter­pre­ta­tion of reli­gious texts is fraught with peril because most such works are alle­gor­i­cal, but a lit­tle bit of sym­bolic license and you can rec­on­cile reli­gion with sci­ence. Like this arti­cle on the ten avatars of Vishnu.

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