Jayakan­tan, win­ner of the Jnan­pith award this year is one of the writ­ers I’m proud to have read. And read again. And again now, thanks to the inter­nets. And (cliché alert!) yes, the Jnan­pith just went up a few notches in esteem.

His writ­ing is min­i­mal­ist: busi­nesslike, brisk, and shorn of adorn­ments. The con­tent always takes prece­dence over pre­sen­ta­tion. Not for him the ver­bal flour­ishes of a Mar­quez or even Le Carre. Writ­ing was but a medium to show­case his ideas – his bril­liant, rad­i­cal and often con­tro­ver­sial ideas. He courted con­tro­versy, and rev­eled in shock­ing con­ven­tional sen­si­tiv­i­ties. He went on to write for a few films, and even directed a cou­ple. Another medium.

A staunch Marx­ist, he was a fix­ture on Theekad­hir, a red “news­pa­per” that my uncle used to buy – my first intro­duc­tion to the man. Later, I read Sila Neran­galil Sila Manid­har­gal and walked around for a few days swelling with pride – that works like this existed in Tamil and that I had read it.

This arti­cle in the Indian Express is an evoca­tive, inci­sive trib­ute by Jay­athirth Rao. No one could’ve said it bet­ter. Link through India Uncut.

Jayakan­tan, how­ever, is much more than the mere aggre­ga­tion of his inher­ited tra­di­tions. He is, above all, an indi­vid­ual with a sense of the future, one who makes his or her own future, a future which is usu­ally coloured with hints of an opti­mistic dawn about to hap­pen. His mas­ter­stroke is to revisit the past and exam­ine the pos­si­bil­ity of dif­fer­ent futures…

On another note, why is it that all the artists in my life bleed so red? Le Carre, Jayakan­than. And Illa­yaraaja who started off his career singing Com­mu­nist pro­pa­ganda songs. Sheer chance maybe. Or per­haps, God willed it thus.

  4 Responses to “Jnanpith for Jayakanthan”

  1. […]

    Inspired Filmmaking

    Bala’s stun­ningly orig­i­nal Pitham­a­gan was one of the bet­ter Tamil movies last year. It is about a young man brought up by an undertake […]

  2. […] f Tamil. A cou­ple of days ago, I read Jayakanthan’s Nand­ha­vanathil Oru Aandi, being pointed there by Karthik. To my sur­prise, I found that the expe­ri­ence was pleasan […]

  3. Later, I read Sila Neran­galil Sila Manid­har­gal and walked around for a few days swelling with pride – that works like this existed in Tamil and that I had read it.….……

    Just felt the same thing 2 weeks ago. I am extra-proud because I have never learnt Tamil at school — so I had to work really hard at read­ing lit­er­a­ture in the lan­guage.
    My mom mailed me the book grum­bling that the postage cost more then the book. what can I say it is so worth it except the last chap­ter which I sim­ply could not digest.

    I thought the movie end­ing was bad — this was worse but for­get that.….

    Have you seen the movie? You must have. A friend who heard me go on and on said ” Oh, you have fallen in love with Lak­shmi, haven’t you?”.
    can’t think of any­one else who could have car­ried it of so well..

  4. Wel­come to the world of con­tem­po­rary Tamil lit­er­a­ture. You’ve sam­pled pos­si­bly the best it has to offer, and unfor­tu­nately there is not much more to choose from…

    I haven’t watched the movie yet :( . Maybe I will if I can lay my hands on a decent copy around here.

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