Once upon a time, before iPods had been invented, there was not much a teenager tak­ing a bus to school for an hour every day could do to enter­tain himself.

Except to lis­ten. To the con­duc­tor scream­ing at col­lege stu­dents trav­el­ing on the “foot­board”; and boys that got into the girls sec­tion of the bus. Lis­ten­ing also to the pretty girl from Nir­mala Col­lege talk­ing to her friend, and to the old man sit­ting next to me yelling at pre­car­i­ously placed peo­ple hold­ing on to his seat, to take their under­arms out of the way. And smil­ing, as he turned to you and com­plained that no one takes show­ers any­more. Lis­ten­ing to what­ever song caught the driver’s fancy as he played the same tape over and over again.

Idhu Enna Mud­hal Irava, Ammadi Illa­maikku Pudhu Var­ava

(This is our first night together, Wow! we are new arrivals at the altar of love)

And to look. At the con­vent girls that pre­tended to not notice. And col­lege girls that really didn’t notice. And at the city through win­dows with red metal bars going across their length, and black accor­dion blinds on top held together with flimsy shoelaces that always looked like giv­ing away but never did.

Coim­bat­ore was an indus­trial town. Every­where along my route, there were cot­ton mills and foundries; but­ton fac­to­ries and pumpset man­u­fac­tur­ing houses. Sprawl­ing cam­puses, cor­doned off by com­pound walls with bro­ken glass pieces on top to pre­vent intrud­ers, and stern sound­ing warn­ings ask­ing peo­ple to “Stick No Bills”. Warn­ings notwith­stand­ing, the walls existed for posters — large, col­or­ful ban­ners glued to them with starch. Most of the posters adver­tised movies, although there was the odd one about the upcom­ing visit of a politi­cian or the impend­ing arrival of Jesus Christ. Every Fri­day morn­ing, the posters would change, and from the longevity of a poster or a bill­board you knew if a movie was a hit or a flop. With no Yahoo! to tell you which movie was play­ing where, the posters were often the only source of cin­ema information.

Every movie the­ater played four shows a day, and in the sub­urbs the morn­ing show was reserved for skin-flicks — mostly Malay­alam movies that promised more skin than they deliv­ered. The posters for these movies were designed by mar­ket­ing geniuses — mostly just the name of the movie and the pic­ture of a scant­ily clad girl — with a giant “A“covering the key parts. Com­ing to think of it, the girl in the poster could have been fully clothed: all that you could see through the A was her face. The A meant that the movie was for “Adults Only”, although a few kids in school uni­forms that looked sus­pi­ciously like mine would sneak in once in a while. To elim­i­nate any con­fu­sion, these posters also had a trans­lated ver­sion of the title in Tamil, usu­ally enclosed in paran­the­ses. Trans­lated it would seem, by the same team of mar­ket­ing geniuses.

Thus an inno­cent sound­ing name like Mazhu(ax in Malay­alam) became “A Father-In-Law’s lust” in Tamil. Next Fri­day, a new set of posters clar­i­fied: “A Father-In-Law’s jus­ti­fied lust”. That set my heart at rest.

The atro­cious End­less Love did brisk busi­ness for weeks, adver­tised as the “Secrets of love, sex and child­birth.” A movie called Ama­zon Women (I think) was promptly renamed to a more appro­pri­ate sound­ing ” Naked beau­ties in the King’s court.” (Raa­javin Kot­tayil Nir­vana Azhakigal).

Some­times the the­aters would play a home brewn soft porn clip in the mid­dle of a movie — in such cases, the orig­i­nal movie didn’t mat­ter much. “Digby , the biggest dog in the world” was a movie my dad had taken me to when I was young. Imag­ine my sur­prise then when they screened it at a the­ater next to my house a few years later, with posters that screamed (in paran­thethized Tamil) — “Sex Crazed Big Dog” (Adan­gatha Kaama Veri Piditha Ratchatha Naai). I hastily tried to rec­ol­lect the movie, and con­cluded that I must’ve been too young to under­stand the lust part of it when I had watched the movie with my dad.

Con­di­tioned thus, most peo­ple equated Eng­lish movies with skin flicks. Mid­way dur­ing The Abyss, a guy got up and screamed: “Show us some Skin”. A few min­utes later, he stomped out of the the­ater in anger. Later, when watch­ing Leg­ends of the Fall in Chen­nai, some­one leaned across and whis­pered in a con­spir­a­to­r­ial tone: “Does this movie have any scenes bro?” I could only offer him an under­stand­ing grin.

PS: Navin’s post about the Tamil title of a comic book, set off the train of thought lead­ing to this post. And yes, we’ve both out­grown our school uniforms.

  8 Responses to “Lost In Translation”

  1. Nice rendering.…felt nostalgic!

  2. Laughed so hard, its going to take days to heal my stomach :@

  3. did u study in carmel garden?

  4. Yes. And you?

  5. […] I was the kid that snot­tily buried his head in a book through the hour­long bus ride to school, except to look at the occa­sional poster. After her, I was the kid that was start­ing to fan­ta­size about bury­ing the head else­where. Dirty thoughts, I know, but not as dirty as you think. I didn’t know all that then. […]

  6. […] Related Posts: Lost In Translation […]

  7. […] For the first ten years of my life, a flush toi­let wasn’t some­thing I had access to that often. We stayed far away from the city so my mom could be close to her school, and while that meant really good food all the time, it also required sac­ri­fices: An insanely long com­mute, and being stuck in a glo­ri­fied vil­lage mas­querad­ing as a sub­urb, with no tele­vi­sion recep­tion, no malls, and no flush toi­lets. Well, ok, maybe I exag­ger­ate a bit here: There was Muruge­san Annachi Kadai which seemed to have all the items in a mega mall squeezed into a hun­dred square feet, and some of the houses did have flush toi­lets, but not ours. […]

  8. […] For the first ten years of my life, a flush toi­let wasn’t some­thing I had access to that often. We stayed far away from the city so my mom could be close to her school, and while that meant really good food all the time, it also required sac­ri­fices: An insanely long com­mute, and being stuck in a glo­ri­fied vil­lage mas­querad­ing as a sub­urb, with no tele­vi­sion recep­tion, no malls, and no flush toi­lets. Well, ok, maybe I exag­ger­ate a bit here: There was Muruge­san Annachi Kadai which seemed to have all the items in a mega mall squeezed into a hun­dred square feet, and some of the houses did have flush toi­lets, but not ours. […]

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