Santa is inter­view­ing for a job as a dri­ver. At the end, the rich lady tells him,

You are hired. The start­ing salary will be Rs.3ooo.”

Santa is excited.

Thank you. What would the dri­ving salary be?”

 

Ponniyin Selvan

Pon­niyin Sel­van is film­maker Radhamohan’s sec­ond movie, com­ing on the heels of his suc­cess­ful debut ven­ture Azhagiye The­eye. The movie stars Ravi Krishna — the no can emote son of the biggest pro­ducer in Tamil, with Gopika, PrakashRaj and Revathy play­ing sup­port­ing roles.

Rad­hamo­han has an affin­ity for feel-good tales about young men from mid­dle class back­grounds — Azhagiya The­eye was an odd­ball romance between an aspir­ing actor and a girl who wants to shake off her arranged mar­riage. It was sim­ple and hon­est, funny and touch­ing — the kind of sub­stance over style movie that Bol­ly­wood will never make. The movie wasn’t flaw­less: it empha­sised words over visu­als, an unfor­tu­nate throw­back to the Bal­achan­der days and the old fash­ioned direc­tion did noth­ing to dis­pel the stage drama feel that parts of the movie had. But, a neat script and some good per­for­mances glossed over the short­com­ings, and the movie was emi­nently watchable.

Pon­niyin Sel­van though, has no such luck. What­ever chances the movie had of suc­cess, are ruined by insipid performances.

It’s the story of a dis­fig­ured young man liv­ing with his wid­owed mom. He has learnt to live with his dis­fig­ure­ment and the accom­pa­ny­ing dis­ad­van­tages, and seems fairly con­tent with life until some­one sug­gests to him that maybe he should try fix­ing his face sur­gi­cally. Turns out that the surgery costs a for­tune. End hap­pi­ness, begin obses­sion. He works hard to make money, for­get­ting the sim­ple joys of life in the process. It’s not a bad premise at all, and with bet­ter per­for­mances and less mush, the movie could have worked.

Ravi Krishna sports the same blank expres­sion through­out the movie, and his monot­o­nal, dron­ing dia­logue deliv­ery makes him unbear­able. Prakash Raj tries his darn­d­est to act enough for every­one else in the movie, while Revathy, sur­pris­ingly, deliv­ers a con­trolled, effec­tive per­for­mance as Ravi Krishna’s mom. Gopika is com­pe­tent as the goodie –goodie girl that doesn’t care much for looks, and there is another girl that doesn’t care much for the way the hero looks.

The other big draw­back is an over­dose of pithy one lin­ers in the dia­logues. The occa­sional smart repar­tee livens up things, but to have every exchange between every char­ac­ter end in some type of wit­ti­cism is dis­con­cert­ing. (Also the fact that some of the lines are quite inane.. “It’s ok to live in a com­plex, but don’t let a com­plex live in you”). Rad­hamo­han doesn’t seem to get the “cin­ema is a visual medium” thing still — there are a few peo­ple in the movie that seem to exist to just sit on benches and exchange “There was a Sar­dar once.. ” type of jokes.

Through­out the movie, the strug­gle between the direc­tor that prefers real­ism and the direc­tor that is obliged to make a star out of his producer’s son is evi­dent. There are point­less dances (Ravikr­ishna can add leaden footed just below wooden faced on his resume), and given the lack of suit­able sit­u­a­tions for the hero to beat up a few peo­ple, there is a ridicu­lous dream stunt sequence. Surely, that’s a first.

And so, one more film­maker with poten­tial promises to deceive.

 

I met a math­e­mati­cian a few weeks ago, and he spoke to me for a long time about the meta­phys­i­cal nature of com­plex num­bers, about how they are mys­te­ri­ous objects that
are but fronts for all the pro­found secrets they hide within them. If all these secrets were to be unlocked, you could (among other things) cure the world of all ills.

He looked like the aver­age math­e­mati­cian type to me, and using the Beau­ti­ful Mind as my sec­ond data point, I did some regres­sion analy­sis to arrive at the fol­low­ing conclusions:

Math­e­mati­cians are eccen­tric. Most of them seem to exhibit vary­ing degrees of weird­ness, and all of them are delusional.

I try to research my posts thor­oughly, so I painstak­ingly scoured the inter­nets, and it seems to me that the world at large agrees with my con­clu­sions. I also con­ducted an infor­mal sur­vey and all three respon­dents agreed with me whole­heart­edly. One of them was an engi­neer, and he told me that math­e­mati­cians were the only peo­ple he could call geeks, and still sleep well at night.

Now, the math­e­mati­cians seem to have got­ten wind of their unpop­u­lar­ity, which they are blam­ing on a vast lib­eral arts con­spir­acy. In an star­tling exhi­bi­tion of igno­rance of the the­ory of cause and effect, they are con­vinced that jokes such as this one

“How do you define an extro­vert math­e­mati­cian? Some­one who looks at your shoes when he’s talk­ing to you.”

have caused their unpopularity.

They have con­cluded that the only way to bur­nish their image is to sup with the devil, so they are orga­niz­ing joint con­fer­ences with writ­ers to mol­lify the artsy types, and con­vince them that physi­cists are worse.

If you want evi­dence of the prob­lem that con­fronts them, look no fur­ther than today’s news­pa­pers. Mil­lions of peo­ple now enjoy Sudoku puz­zles. For­get the pseudo-Japanese baloney: sudoku grids are a ver­sion of the Latin Square cre­ated by the great Swiss math­e­mati­cian Leon­hard Euler in the late 18th cen­tury. Yet these legions of ama­teur problem-solvers tackle puz­zles accom­pa­nied by the absurd asser­tion that “no maths is involved”. In parts of pop­u­lar cul­ture, math­e­mat­ics has become not so much the love that dare not speak its name as the love that doesn’t even know its name.

While there were some things that didn’t go accord­ing to plan,

[…] real math­e­mati­cians have mixed feel­ings about mass-market yarns that present their domain as the stamping-ground of eccentrics, or even lunatics. But, for the most part, they applaud the endeav­our to drama­tise the human strug­gle of math­e­mat­i­cal rea­son­ing. Only one (absent) lit­er­ary fig­ure really fell foul of the Mykonos mob: the Amer­i­can writer David Fos­ter Wal­lace, who in Every­thing and More wrote not a novel but a pur­ported his­tory of the math­e­mat­ics of infin­ity. The computer-science guru Mar­tin Davis counted “86 really egre­gious errors” in Wallace’s book. “Are we so hard up for approval from the human­i­ties that we have to accept this?” he thundered.

over­all I think the con­fer­ence was a suc­cess — there will be a comic book in 2007 about the devel­op­ment of 20th cen­tury maths. If noth­ing, that’ll win over the engineers.

Through the Inde­pen­dent Online Edition.

PS: The title of this post is unique. It is the first time Math­e­mati­cians and Cool have appeared in the same sentence.

 

I thought Manoj’s round up of Inde­pen­dence Day TV pro­grams in Chen­nai was neat, until I read the post again and real­ized he seemed to be diss­ing Namitha.

Namitha

I am apalled. Look at her gor­geous, beau­ti­ful, pretty, um… face and tell me how some­one could be mean enough to make fun of her.

Lightning Arrestor

    Lit, Etc.  Comments Off
Aug 172005
 

Franklin's original Lightning RodWilliam Grimes reviews Philip Dray’s Steal­ing God’s Thun­der — yet another book on Ben­jamin Franklin — for the New York Times. After Wal­ter Isaacson’s thorough(ly enjoy­able) Ben­jamin Franklin: An Amer­i­can Life, another Franklin biog­ra­phy sounds redun­dant, but this “com­pact and styl­ishly writ­ten” book seems to get away with it by nar­rowly focus­ing on one aspect of Franklin: the scientist.

Amer­i­cans tend to regard Franklin’s sci­en­tific accom­plish­ments as an inter­est­ing side­line. In his own time, how­ever, Franklin was lion­ized abroad as the man who solved the age-old mys­tery of light­ning, one of nature’s most fear­some power dis­plays. It was a great vic­tory for the Enlight­en­ment when Franklin, the back­woods philoso­pher, snatched the thun­der­bolts of Zeus and robbed them of their destruc­tive power.

And not surprisingly,

The clergy turned a dis­ap­prov­ing eye on Franklin’s great inven­tion, the light­ning rod. Who was he to dis­turb the instru­ments of divine wrath? Even Jean-Antoine Nol­let, one of France’s fore­most light­ning researchers, warned that it was “as impi­ous to ward off Heaven’s light­nings as for a child to ward off the chas­ten­ing rod of its father.“
Franklin was amused. “Surely the Thun­der of Heaven is no more super­nat­ural than the Rain, Hail or Sun­shine of Heaven, against the Incon­ve­nience of which we guard by Roofs & Shades with­out Scru­ple,” he wrote to a friend.

I’m sure the clergy didn’t like this either,

As a child he sug­gested to his father that if all the meat being salted for the win­ter meals were blessed at once, it would not be nec­es­sary to say grace at each meal, result­ing in “a vast sav­ing of time.”

The Franklin Institute’s cool Ben­jamin Franklin page has a list of his inven­tions among other things.

 

Chris Ander­son, edi­tor of the Wired wrote an arti­cle called The Long Tail last year, where he argued that the future of enter­tain­ment lies not in megahits, but in the steady trickle of money from “niche mar­kets at the shal­low end of the bitstream.”

The arti­cle was received well — so well in fact that Ander­son is now turn­ing it into a book, fol­low­ing the lead of James Surowiecki whose book born out of a New Yorker arti­cle — Wis­dom of the Crowds — was an instant bestseller.

Ander­son main­tains a blog on The Long Tail, a “pub­lic diary on the way to a book.” A blog is a great way to gather infor­ma­tion for a book like this — a look at some of the com­ments on the Long Tail is enough to con­vince one of this.

And if the book is not a best­seller, I’m sure Ander­son won’t be too wor­ried. After all, he invented The Long Tail.

 

The Observer pro­files Julian Barnes, the odds-on favorite to win the Booker this year.

Barnes’s longlisted novel is Arthur & George. It is a story about Sher­lock Holmes’s cre­ator, Sir Arthur Conan Doyle, but it does not, like the myr­iad of other books and plays with this start­ing point, draw on Doyle’s texts or on the deduc­tive tech­niques of his great detec­tive. ‘I delib­er­ately didn’t want to write a book that bounces off his work,’ Barnes has said.

The George in the title is George Edalji, a Birm­ing­ham solic­i­tor and the son of a coun­try vicar from Bom­bay who was a con­verted Parsee. In the nor­mal course of life, the two men would never have met, but in 1903, Edalji was con­victed of maim­ing horses in his father’s parish of Great Wyr­ley in Stafford­shire. The ‘Great Wyr­ley Out­rages’, as they were known, became a cause célèbre when Doyle took up the cud­gels in order to cor­rect what he regarded as legal injus­tice and racism. Doyle became to Edalji what Emile Zola was to Drey­fus. Barnes’s telling of the near-forgotten tale focuses on our appre­ci­a­tion of guilt, a guilt that the Vic­to­rian nov­el­ist also feels over his fad­ing love for his dying wife, Louise, and his grow­ing, uncon­sum­mated pas­sion for his wife-to-be, Jean Leckie.

Barnes threw him­self into research on the Edalji case and con­fronts his ver­sion of Doyle with the same doc­u­men­tary mate­r­ial that he uncov­ered in try­ing to piece together the truth. He chose to write the novel, he has said, partly because the case has almost van­ished from British his­tory. ‘It makes not a rip­ple any­where. It’s gone. I wrote about it because I couldn’t read about it.’

Given Barnes’s ret­i­cent nature (he decries the “Oprah­fi­ca­tion of emo­tions”), it’s not sur­pris­ing that he is the least well known of the favorites this year. The pro­file dis­cusses a lit­tle bit of con­tro­versy sur­round­ing Barnes, and if you know your Rushdie, you’ll react the same way I did: “Why is this con­tro­ver­sial again?”

Barnes lives in north Lon­don with his wife, lit­er­ary agent Pat Kavanagh, and it is this close asso­ci­a­tion with the can­ni­bal­is­tic pub­lish­ing scene that has drawn Barnes into con­tro­versy or, at least, into the gos­sip columns.

When Amis junior decided to leave his agent Kavanagh after 23 years so that he could throw in his lot with Amer­i­can agent Andrew Wylie, known as ‘the Jackal’, his old friend Barnes sev­ered all links, send­ing a let­ter in Jan­u­ary 1995 which con­tained a phrase that Amis has described as ‘a well-known col­lo­qui­al­ism. The words con­sist of seven let­ters. Three of them are fs’.

I sure hope his books are spicier than the con­tro­ver­sies he finds him­self in.

PS : Talk­ing of Sher­lock Homes and Arthur Conan Doyle, The New Yorker car­ried a fas­ci­nat­ing arti­cle a while back by David Grann, where he talks about the death of “the world’s lead­ing Sher­lock Holmes expert” under mys­te­ri­ous cir­cum­stances. The arti­cle isn’t online, but there are inter­views where the author dis­cusses the story here and here.

 

Q: How do you make global warm­ing go away?

A: Easy. Start call­ing it Cli­mate Change instead.

[…]at the Brook­ings Insti­tu­tion, its envi­ron­men­tal boss detects a whiff of ter­mi­no­log­i­cal pol­i­tics. “Polling data sug­gest that much of the pub­lic con­sid­ers the term cli­mate change less threat­en­ing than global warm­ing,” says David San­dalow. “As a result, politi­cians eager to down­play risks tend to use the term cli­mate change.

Aug 152005
 

Richard Led­erer writes in the NY Times Mag­a­zine,

As a word-bethumped lan­guage guy, I adhere firmly to the blooper snooper’s code, tak­ing only what I find and con­triv­ing noth­ing. How could I pos­si­bly con­coct this vivid head­line: ”Grand­mother of Eight Makes Hole in One”? How could I improve on this receptionist’s voice-mail advice: ”Please leave a mes­sage. The doc­tors are out of the office or else on the phone and me, too”? Nor could I man­u­fac­ture the sign in an Aca­pulco restau­rant: ”The man­ager has per­son­ally passed all the water served here.” And could I come close to match­ing this student’s sen­tence: ”In 1957, Eugene O’Neill won a Pul­let Sur­prise”? Or this one: ”Ancient Egypt­ian women wore a calasiris, a loose-fitting gar­ment which started just below the breasts which hung to the floor”? For­get it.

”Sir Fran­cis Drake cir­cum­cised the world with a 100-foot clip­per.” The state­ment is hys­ter­i­cally unhis­tor­i­cal, and we have no trou­ble believ­ing that a stu­dent actu­ally wrote it. How blun­der­ful that one young scholar’s inno­cent con­fu­sion of ”cir­cum­nav­i­gate” and ”cir­cum­cise” and acci­den­tal pun on ”clip­per” can beget such nau­ti­cal naugh­ti­ness. This cre­ation is one of the great­est bloop­ers ever blooped.

Read the full arti­cle here.

 

Red­iff has a slide show of the “swanky” new ter­mi­nal at Mumbai’s domes­tic air­port, and adds that this is just a taste of things to come.

First Chen­nai and now this, so per­haps we’ll drop off the bot­tom of this list soon. As soon as we get rid of the mos­qui­toes, that is.

Link to list of worst air­ports through Sepia Mutiny.

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