Boyd Tonkin in the Independent

Yes­ter­day the Man Booker judges made pos­si­bly the worst, cer­tainly the most per­verse, and per­haps the most inde­fen­si­ble choice in the 36-year his­tory of the con­test. By choos­ing John Banville’s The Sea, they selected an icy and over-controlled exer­cise in coterie aes­theti­cism ahead of a short­list, and a long list, packed with a plen­i­tude of riches and delights.

The Dublin nov­el­ist, whose emo­tional rage is lim­ited and whose prose exhibits all the chilly per­fec­tion of a wax­work model, must today count him­self as the luck­i­est writer on the planet. This was a trav­esty of a result from a trav­esty of a judg­ing process.

Rick Gekoski in the Times

In the end it came down to a debate between The Sea and Never Let Me Go, and we made the right choice. The Sea was the best book of the year. It is not going to be the most pop­u­lar, and after the award was pre­sented I was imme­di­ately bearded by an irate book­seller from one of the big chains, who told me that it was a “dis­grace­ful” deci­sion, and that The Sea would be impos­si­ble to sell. I don’t know if that is true, and I don’t care. Banville has writ­ten a com­plex, deeply tex­tured book, with won­der­ful, sin­u­ous and sen­su­ous prose. You can smell and feel and see his world with extra­or­di­nary clar­ity. Banville has writ­ten a com­plex, deeply tex­tured book, with won­der­ful, sin­u­ous and sen­su­ous prose. You can smell and feel and see his world with extra­or­di­nary clarity.

John Suther­land, in the Guardian.

Banville doesn’t always help his own case. A few hours before the cer­e­mony he con­fided to an Amer­i­can jour­nal­ist that The Sea was “a bad book”. With authors like that, who needs Tibor? Nor, it would seem, was Banville indulging in false mod­esty. He came over to Lon­don from Philadel­phia on the day of the award and booked his flight for 8am the fol­low­ing day. He wouldn’t win. No chance. Bad book. Pack your bag.

Banville is, as I observe him, an egre­giously mod­est writer. He is also, as I read him, an egre­giously good writer.

Karthik, on this very blog.

This is almost Oscar qual­ity bitch­ing, but not quite there yet. The lan­guage, guys, work on it. Avoid plen­i­tude, egre­gious, trav­esty and sin­u­ous. Avoid bearded too, unless you want to refer to some­one with exces­sive facial hair on the chin. You can use weirded if the per­son sport­ing the beard is not male. Sen­su­ous is ok, use it a lot more. But please, no Joan Rivers.

In case you are won­der­ing, I haven’t read The Sea. I am plan­ning to go to the local book­store tomor­row and ask them if they have “The Sea.” I have even odds on what I’ll get:

1. A C Lan­guage Primer.

2. An incred­u­lous look.

But then, tis’ the sea­son for long odds.

PS: The Babu doesn’t like the choice, even after a (pre­scient) par­ody of the ago­niz­ing wait.

And oh, if you have time, check this short story by Fal­staff out. Very cool.

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