By now, it is almost official: Michael Ondaatje’s Divisadero is good, but not as good as The English Patient, or even Anil’s Ghost. Yvonne Zipp is lukewarm on the book (“more poetry than plot”) while Janet Maslin is a bit more positive. (“ initially difficult, but the more you give “Divisadero,” the more it gives in return.” ). Manish says the same thing too, in fewer words.
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