Yay!

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Feb 132005
 

I am done watch­ing Eter­nal Sun­shine of the Spot­less Mind. I am not going to add to the count­less other reviews out there, but I have to say that this is a clas­sic. The hype made me a lit­tle leery about watch­ing it, (Lost in Trans­la­tion, remem­ber?), but any fears I had were blown away in the first few min­utes. For the record, I would like to state that I would have liked it even if it didn’t have Kirsten Dunst in it.

 

Boy, what a let­down. Aish, sport­ing an atro­cious out­fit and an even atro­ciouser accent. Croak­ing out the last word of each sen­tence with a funny sound­ing drawl… Indi­aaa and Bom­bayyy. And then, there was this.: At ran­dom instants, with­out per­ceiv­able exter­nal stim­u­lus , she would start off this rou­tine that con­sisted of rolling her eyes at Let­ter­man, fol­lowed by rolling her eyes at the audi­ence, then capped off with some laughter.

A com­pletely per­plexed Let­ter­man did man­age to get a cou­ple of ques­tions across. And got a cou­ple of fero­cious sound­ing replies in return. Inno­cent sound­ing soft­balls (“Were you a young girl when you started mod­el­ing?”) that got hurled right back at him, with an eye rolling thrown in for good mea­sure. There was a clip from Bride and Prej­u­dice with a wooden Aish­warya in the swim­ming pool — I heard some­thing about some dude want­ing to see India with­out see­ing the Indi­ans, and there was a whole lot of con­fu­sion over his nation­al­ity … I was too busy wish­ing for the cam­era to pan down­wards to hear prop­erly. And no, it didn’t.

Man­ish over at Sepi­a­mutiny seems to think Aish was off color because she took her­self too seri­ously, but methinks she was just being her true self: a bimbo.

Update : This review on Time tells it like it is.

In the lead role, Bol­ly­wood god­dess Aish­warya Rai is pretty as a picture–a still pic­ture. She appears always to be fluff­ing her hair for the next fash­ion shoot. She’s got moves on the dance floor; and in the sump­tu­ous and catchy score by Añu Malik and Craig Pruess, she smartly sells a few num­bers that try to update the Austen ethos (“I just wanna man who gives some back/ Who talks to me and not my rack”). What she can’t yet do is sug­gest a com­plex spirit behind the lovely façade.

Tamil Cinema Today

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Jan 282005
 

A Vaira­muthu inter­view to kick off the day. First the good news. Vaira­muthu is not writ­ing for Rajinikanth’s Chan­dra­mukhi. But he says, every “micro-second” of his life con­tains poetry. Like so:

“Princess of Istan­bul (!)
Heat up the land with your kisses” (from Mazhai)

He talks warmly about Illa­yaraja, I think. It is kinda hard to fig­ure out what the man is try­ing to say. And he also says some­thing about talk­ing to Rah­man being a “plea­sure.” Says their next project is God­fa­ther star­ring Al Pacino and Asin.

And Rajinikanth? What can I say? Per­haps just a bad wig day.

Mean­while, Balu Mahen­dra ago­nizes over good direc­tors (read : him) not being treated right by Tamil cin­ema. Poignant story about him talk­ing about salaries with other direc­tors, and real­iz­ing belat­edly that they were talk­ing in mil­lions, not thou­sands. I used to like him a lot, but he seems to be stuck in a rut these days.

More Conceit

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Jan 232005
 

This can be hard to believe, but you have to trust me (and this source)

Ajith Kumar’s next movie is called God Father to be directed by K.S.Ravikumar. No, don’t start laugh­ing yet. Funny as it may sound, that’s not the joke. Sup­pos­edly this movie is based on the real God­Fa­ther. And Ajith Kumar is study­ing Al Pacino’s “body lan­guage and man­ner­ism” so that he can act just like him. Bwahahaha.

Conceit

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Jan 232005
 

This’s got to be the fun­ni­est thing that hap­pened this week. Remem­ber K. Bal­achan­der? The ulti­mate tal­ent scout who intro­duced both Kamal­has­san and Rajinikanth to tamil cin­ema. Visu’s sole com­peti­tor for the honor of hav­ing every movie of his feel like a stage drama. The guy that intro­duced numer­ous novel con­cepts to Tamil cin­ema … Like using a hand to tear days off a cal­en­dar to sig­nify the pas­sage of time. Or using rapid shots of an assort­ment of news mag­a­zines to sig­nify (you got it) the pas­sage of time. Yeah, that guy.

So he watches the lat­est big block­buster in Tamil — a sen­si­tive movie called Kad­hal that has won rave reviews. Impressed, he praises the direc­tor. And then tells the hero­ine Sand­hya, “You are the next Saritha.” Saritha? Ok. Whatever.

Later he talks to the press and deplores the state of Tamil movies today. Says movies are becom­ing vul­gar. And then fol­lows up with the punch line for his joke: “I will make a movie like Maro Char­i­tra to res­cue Tamil cin­ema from the depths to which it has sunk.” I laughed hard, then read the com­ment again, and laughed hard again. If you dont get the joke, go watch Kalki. Or Duet. Or any of his 90 other movies.

Since then, the movie has been announced

Storm in a B cup

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Jan 232005
 

Ok, a horny dude checks out some Latino web­sites, and comes across a video of some­one bathing. When replay­ing the video for the 19th time, he real­izes with a gasp that the girl in the video bears more than a pass­ing resem­blance to Trisha, a pop­u­lar Tamil actress. So horny dude for­wards said video to his equally horny friends. Friends for­ward some more, and in all the frenzy the Trisha look-alike video gets mag­i­cally trans­formed into the Stolen Trisha Bathing video. One of the friends was very kind by nature, and so he posts the video on some web­site, and soon the video is the most pop­u­lar Tamil movie of all time, beat­ing Padayappa hands down. Hmm… maybe not, but almost. Wait, please read the whole blog before you go googling for the video.

Now since Trisha doesn’t watch Indian movies, she had no idea all this was hap­pen­ing. Until some loser that does watch Indian movies brings this “Indian” movie to her mom’s atten­tion. Livid mom goes to the media, and over a two-week period, makes a series of state­ments that pro­vided an immense amount of pub­lic­ity to the movie in ques­tion. And some comic relief to peo­ple who wanted a break after repeat­edly watch­ing the same two-minute clip. Among other things, she claimed (with a hint of pride) that the girl couldn’t be Trisha, because she was strew­ing her clothes around in the bath­room I don’t know about you, but that increased my respect for Trisha.

Finally, Trisha threat­ens to com­plain to the police, and col­lec­tions sky­rocket some more. In fact, this is the high­est grosser of all Trisha movies. As in all of her other movies, Trisha didn’t act in this one either.

Now the news­pa­pers and mag­a­zines join (birth­day) suit. Almost every news­pa­per worth its salt car­ried the story, although the respected ones used small type­face to main­tain their rep­u­ta­tion. (No, the Hindu is not worth its salt.) Finally, a tech-savvy edi­tor fig­ured out how to make screen­shots and pub­lished them in his mag­a­zine, only to get arrested. One of the “inves­tiga­tive” jour­nals went on to claim that the movie was shot in Hyder­abad using a micro-camera and that a mem­ber of (who else?) the mafia did it. Wow! Sure, the orig­i­nal horny dude could have been Tel­ugu, but to call him the mafia is a bit of exag­ger­a­tion I wish I had thought of first. Link here.

Last I heard, the police were using “body-structure experts” to fig­ure out if the girl is indeed Trisha. As a side note, have you ever won­dered what the coolest job in the world was?

PS: Some­one got a link to the video? You can only gather so much from grainy screenshots.

PPS: No, I don’t have the grainy screen­shots anymore.

Jan 232005
 

This has been a good year for that minis­cule seg­ment of men inter­ested in celebrity wardrobe malfunctions.

Kirsten Dunst’s bikini top decides to move away just a lit­tle bit when surf­ing at St. Barts. Again at St. Barts, Anna Kournikova has a brain mal­func­tion, and decides to check out what is inside her, um, clothes. No, no links for you. This is a family-friendly website.

Ok, who wants to pay for Aish to make a trip to St. Barts?

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